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1、AbouttheAmericanCowboyTheiginalAmericanIcon...AFTERTHEAMERICANCIVILWARtheycamefromtheeastwestsouthtowkonranchesdrivethetrailover50000rodetheherds.Becomingacowboybecameapassionamongsteasterncollegemen.Afewcowboysevencamef
2、romtheUnitedKingdomotherpartsofEurope.TheusualWildWestcowboygearconsistedofabridlesaddlerawhidelariatspursbootschapshattarpbuffalorobeblanketsmostimptant...aColt.45.Ratherthansettledisputeswithfistslikebackintheoldcountr
3、ymanyargumentsweresettledwiththeroarofasixshooterthemostpopularofwhichwastheColt.45a.k.a.“ThePeacemaker.“Anoldsayinggoes“AbeLincolnmayhavefreedallmenbutSamColtmadethemequal.“Somewerestillmeequalthanothersassomeofthemenbe
4、cameprofessionalgunslingers...“havegunwilltravel“wastheirmotto!WhileitstruethatsomewererustlersothersprofessionalgunfighterstheaverageAmericanCowboywasoftenlonelylivedinharshconditions...frequentlyexposedtodangerbutalway
5、skepttheirhumjokedabouteverything.Theydidn’tmakemuchmoneyenjoyedthesimplewayoflife.Theywerereservedaroundstrangersdidnottoleratemeannesscowardicedishonestychroniccomplainingmistreatmentoftheladyfolkwhowerescarceonthewild
6、frontier.ToughasnailsbutgeneroushospitablethesewerethetrueWildWestAmericanCowboys.AcowboyisananimalherderwhotendscattleonranchesinNthAmericatraditionallyonhsebackoftenperfmsamultitudeofotherranchrelatedtasks.ThehisticAme
7、ricancowboyofthelate19thcenturyarosefromthevaquerotraditionsofnthernMexicobecameafigureofspecialsignificancelegend.[1]Asubtypecalledawranglerspecificallytendsthehsesusedtowkcattle.Inadditiontoranchwksomecowboyswkfpartici
8、pateinrodeos.InInpopularpopularculturecultureentertainersthoseinthepublicarenawhowearwesternwearaspartoftheirpersona.HowevermanypeopleparticularlyintheWestwearelementsofWesternclothingparticularlycowboybootshatsasamatter
9、offmeventhoughtheyhaveotherjobsincludinglawyersbankersotherwhitecollarprofessionals.Converselysomepeopleraisedonranchesdonotnecessarilydefinethemselvescowboyscowgirlsunlesstheyfeeltheirprimaryjobistowkwithlivestockifthey
10、competeinrodeos.Actualcowboyshavederisiveexpressionsfindividualswhoadoptcowboymannerismsasafashionposewithoutanyactualunderstingoftheculture.Fexamplea“drugstecowboy“meanssomeonewhowearstheclothingbutcannotactuallyrideany
11、thingbutthestoolofthedrugstesodafountaininmoderntimesabarstool.Thephrase“allhatnocattle“isusedtodescribesomeone(usuallymale)whoboastsabouthimselffarinexcessofanyactualaccomplishments.Thewd“dude“(thenowarchaicterm“greenhn
12、“)indicatesanindividualunfamiliarwithcowboycultureespeciallyonewhoistryingtopretendotherwise.OutsideoftheUnitedStatesthecowboybecameanarchetypalsymbolofAmericanindividualism.Inthelate1950saCongoleseyouthsubculturecalling
13、themselvestheBillsbasedtheirstyleoutlookonHollywoodsdepictionofcowboysinmovies.Somethingsimilaroccurredwiththeterm“Apache“whichinearly20thcenturyParisiansocietywasaslangtermfanoutlaw編輯本段簡介對大多數(shù)美國人來說,乃至對世界上許多人來說,美國西部牛仔是具有英
14、雄主義和神秘色彩的人物。在文學(xué)、電影與電視作品中,牛仔通常都是頭戴墨西哥式寬沿高頂氈帽、腰挎柯爾特左輪連發(fā)手槍或肩扛溫徹斯特來復(fù)槍、身纏子彈帶、穿著牛仔褲皮上衣、以及束袖緊身多袋牛仔服、足蹬一雙飾有刺馬釘?shù)母咄财ぬ籽?、頸圍一塊色彩鮮艷奪目的印花大方巾、騎著快馬風(fēng)馳電掣,形象威猛而灑脫,是一種代表了典型的個人主義和自由精神的外在裝束。由于迭出不窮的西方電影以及各種平裝小說和電視節(jié)目的渲染,使得善良、干練、勇敢的西部牛仔備受歡迎。但是,真正
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